1920年代北京剔紅髮梳 Peking lacquer comb 1920s
北京的工藝-雕刻漆器，將紅漆一層一層往上塗加至一定厚度再予以雕刻，比較常見的有花瓶或是盒子等物件。
這是支髮梳，似乎所有的工藝都可以拿來做梳子，雖然其裝飾性質遠大於實用性，但看其材質也是個有趣的工藝品。
畢竟這是要一刀一刀刻出圖案來。但近代已有仿製用翻模仿雕漆的物件。
此把梳子為手工雕刻，因為比較過其它把相同紋樣的梳子，雖然花紋完全相同，但花朵大小細節仍存在著手工雕刻下的差異。
這是支髮梳，似乎所有的工藝都可以拿來做梳子，雖然其裝飾性質遠大於實用性，但看其材質也是個有趣的工藝品。
畢竟這是要一刀一刀刻出圖案來。但近代已有仿製用翻模仿雕漆的物件。
此把梳子為手工雕刻，因為比較過其它把相同紋樣的梳子，雖然花紋完全相同，但花朵大小細節仍存在著手工雕刻下的差異。
Peking Lacquer comb.
This kind of lacquer ware was a very famous craft in Peking, China and is still practiced today. Unlike bowls where the lacquer was applied to a wooden or cloth base this object is solid lacquer. The craft workers carve the lacquer into different objects, such as boxes or vases, etc.
This is a comb, made using the same craft. Comparing this comb with other, similar items, in different collections we can see little difference between the patterns. They have probably all come from the same workshop in Beijing.
This kind of lacquer ware was a very famous craft in Peking, China and is still practiced today. Unlike bowls where the lacquer was applied to a wooden or cloth base this object is solid lacquer. The craft workers carve the lacquer into different objects, such as boxes or vases, etc.
This is a comb, made using the same craft. Comparing this comb with other, similar items, in different collections we can see little difference between the patterns. They have probably all come from the same workshop in Beijing.
Details of the intricate carving.
雕刻的細節
雕刻的細節
